Taryn Simon: The Color of a Flea’s Eye: The Picture Collection Rebecca Groves the catalogue features an introduction

the catalogue features an introduction by Larry Gagosian and a conversation between the artist and Hans Ulrich Obrist

eyewitness memory can change

a setting of passage and transition

and eight collages that introduced Cubans to Oehlen’s engagement with the history of abstract painting

In conjunction with the publication of his monograph The Inner Life of Forms

Taryn Simon: The Color of a Flea’s Eye: The Picture Collection Rebecca Groves the catalogue features an introductionTaryn Simons The Color of a Fleas Eye: The Picture Collection presents a history of the New York Public Librarys Picture Collectiona legendary trove of more than one million prints, photographs, postcards, posters, and illustrations from books and periodicals established in 1915. In Simons body of work utilizing images from the Picture Collection, she highlights the impulse to organize visual information and points to the invisible hands behind